DAIM concentrates on four letters to push personal and visual boundaries in his highly stylized three dimensional writing. DAIM’s programme comprises the construction, as well as de-construction of a word (at some point, in between the processes of annealing and erasure, it emerges out of a synaesthetic sphere and reveals that it came into being out of nothingness and is always on the verge of disappearing into it again. DAIM's graffitis can be seen as fixed images of a word-formation that is constantly threatening to reassemble, denying access, escaping the demands of tangibility and, thereby, remain free and sovereign.