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Fri, Nov 9 - Fri, Nov 9
RUN #00245
RISK & Nathan Ota - Crucifix
RISK & Nathan Ota
Crucifix
Edition Size:   50
17 x 17 Archival Pigment Print on 330gsm Fine Art Paper
This Run is Sold Out
"This piece was from the first collaboration show that I did with Nathan Ota. Nathan and I have been painting together since high school and we do one collaboration show a year. This piece was a classic, it is classic Risk with the R, and it is from our first body of work. At the time I was going through a lot of drama with the city officials. Nathan and I were talking about how they were crucifying me. We were making jokes and then we thought of how we could translate that without being too blatant and corny. This is the image we came up with. It is an abstract urban representation of me being crucified by the city officials." - RISK

This RUN comes signed, numbered and with a Certificate of Authenticity from RISK, Nathan Ota & 1xRUN

Discuss This Run

Nathan Ota & Risk Team Up On Crucifix

Graffiti writer RISK & artist Nathan Ota have been collaborating since their formative high school years. We’re excited to debut the first of a series of collaborations from the Californian duo, the first of which highlights a trouble laden period of time in the graffiti career of RISK. Read on for the exclusive 1xRUN Thru Interview with RISK as he discusses his upcoming print with Nathan Ota.

Nathan Ota & RISK

1xRUN Thru Interview

Crucify by RISK & Nathan Ota

1xRun: Tell us a little about the original, is it still for sale?

RISK:  Sold.

1xRun: When was the piece drawn/created

RISK:  2011.

1xRun: Anything immediate you would like us to highlight?

RISK: It was from the first collaboration show with Nathan Ota. Nathan and I have been painting together since high school and we do one collaboration show a year. This piece was a classic, it is classic Risk with the R, and it is from our first body of work

1xRun: Tell us how the idea and execution came about?

RISK:  At the time I was going through a lot of drama with the city officials. Nathan and I were talking about how they were crucifying me. We were making jokes and then we thought of how we could translate that with out being to blatant and corny. This is the image we came up with. It is an abstract urban representation of me being crucified by the city officials.

1xRun: How long did this piece take?

RISK: 45 years.

1xRun: What is unique about this piece?

RISK:  It is a collaboration between myself and Nathan Ota, and it is our first body of work.

1xRun: Why should people buy this print?

RISK:  I believe you should only buy art you love, if it strikes you, evokes emotion or you just really like looking at it, you should buy.

1xRun: Describe the piece in one gut reaction word.

RISK: Deep.

Run #00245 - Crucifix by RISK & Nathan Ota

1xRun: When did you first start making art?

RISK  Since before I can remember. My grandmother told me about all the things I made. She gave me things like buttons, and empty spools, etc. as toys. I had to be creative to occupy my time.

1xRun: What was your first piece?

RISK  My first graffiti piece was a “Surf” piece on the side of UNI hi in Los Angeles.

Surf


1xRun: What artists inspired you early on?

RISK    The Los Angeles Fine Art Squad did a piece on the side of the West LA police station. It was a freeway falling off into the Ocean….This was the first Mural that blew me away! just look at it!

Los Angeles Fine Art Squad

1xRun: What artists inspire you now?

RISK  There are too many to list, every one in MSK is truly inspirational.

MSK in Detroit


1xRun: Do you listen to music while you work? If so what? If not then what is your environment like when you work?

RISK  I listen to a lot of Led Zeppelin, Classic Rock, Funk, and Blues. Especially when I’m doing graffiti pieces, I lie to imagine my letters dancing or fighting.

1xRun: If you could collaborate with any living artist who would it be and why?

RISK  Zeppelin. I know they are musicians but that’s who I’d like to collaborate with.

MSK

1xRun: If you could collaborate with any deceased artists who would it be and why?

RISK  Michelangelo.. He is the best-documented artist of the 16th century, and considered one of the best artists of all times, yet he had a very low opinion of painting. Some of his work among the most famous pieces of all times. There is too much to say about him and his work, he had so many mediums and attributions. He was considered the greatest living artist of his time and he pioneered Western Art. I don’t think you could get any better than that!

Michelangelo - Sistine Chapel

1xRun: What was the first piece of art that you bought? Do you still have it?

RISK  A Robert Williams print and I still have it.

Robert Williams

1xRun: What was the last piece of art that you bought?

RISK  I’m currently trading Seen for a piece. I consider him to be one of the all time best graffiti artists!

Seen

1xRun: What else have you been up to? What else do you have in the works?

RISK:  I’m working on a show in London happening in conjunction with the Olympics next month.

1xRun: Where can people find you on the internette?

RISK:  -WebsiteFacebook  – TwitterInstagram -

Nathan Ota: – WebsiteBlog

-1xRUN

About the Artist

Location: Los Angeles, CA

In a career spanning 27 years, RISK has impacted the evolution of graffiti as an art form in Los Angeles and worldwide. RISK gained major notoriety for his unique style and pushed the limits of graffiti further than any writer in L.A. had before: He was one of the first writers in Southern California to paint freight trains, and he pioneered writing on “heavens,” or freeway overpasses. At the peak of his career he took graffiti from the streets and into the gallery with the launch of the Third Rail series of art shows, and later parlayed the name into the first authentic line of graffiti-inspired clothing. - RiskRock.com

"Ever since I can remember, I have always found myself drawing over doing my homework. My early influences came from cartoons on television, comic books, photographs and Punk-rock flyers. I can still remember sneaking into my older brothers room and raiding his ,"Vamperella" comics and trying to copy or trace all the covers I could get my hands on. Classical art never really interested me at that time so I turned to what really spoke to me with artists such as, Robert Williams, Olivia, Puss Head and Raymond Pettibon. Traditional art never came into the picture till I started high school but it still didn't speak to me. I always found myself gravitating toward popular culture and at that time it was graffiti." - Nathanota.com

Find out more @ http://blog.1xrun.com/